Rosenwinkel said that sometimes some harmonies need a richness added to certain tones, and he will try and add this richness through his singing. The vocal line also adds a certain specialness to some parts here: note in bar 10 how the vocal line doubles the bottom rising figure, which is quieter from the piano, and does not double the higher figure. The vocal line is very quiet, and difficult to discern, but is there, and elegantly sows some of the seeds of the melody within the harmony by embelleshing the melodic tones. I think on the recording Kurt plays the piano here, so his singing is a part of the tone colour of the introduction. I've done a pretty long analysis, and any corrections would be useful!Analysis:The first 16 bars are piano introduction, the same chords as the repeated section at the sign. 'Au Lait' by Metheny & MaysHi there!I have transcribed Pat Metheny's and Lyle Mays' tune 'Au Lait' from the Group's 'Offramp' recording. I guess that was all hinted at by the mixer 'fight scene' in the original music video.(on the recording, tuning is A = 450 Hz)This post contains the following attachment types:-application/pdf. Copeland reportedly recorded the Police version drum track in one take, and Summers added a few distinctive guitar parts (including one that I bet you never caught in the mix, see multitrack files below) completing its conversion to a more Police-sounding tune. Always liked this tune, but Sting apparently brought it to the band pretty fully formed with a bunch of piano tracks. Every Little Thing She Does Is MagicBrief piano transcription (or maybe gist version) of Every Little Thing She Does Is Magic for my niece - from the Ghost in the Machine by The Police. The trio recordings don't have the tenor sax part, but abide by the rhythm section motives.Best, VilleThis post contains the following attachment types:-application/pdf. I listened to a few recordings of the piece (John Abercrombie's 'Getting There' and 'John Abercrombie / Marc Johnson / Peter Erskine', plus an instructional drum video by Peter Erskine available at which differed somewhat.
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